武士电影院被称为“香巴拉”，而“jidaigeki”则是这个(Gustavsen)的一个流派。Jidaigeki电影通常以当时的政治和社会阶层为特征。他们代表了一些著名的明星，如Kataoka Chiezo和Toei的制作公司。Toei jidaigeki是一个公式，有一个英雄和一个恶棍，英雄总是胜利(Gustavsen)。那个恶棍是一个自学的人，他在邪恶和善良的直接隔离之间搞混了，而在另一方面，英雄缺乏深度，在这段时间里是正确的，被英雄盲目地支持着。在战前和战后时期，许多变化都被合并了。一些人主要集中在仇杀的叙述上。在1908年，47名朗宁的故事被拍摄。一个浪人是一个没有主人的武士骑士。
The Classic genre of western films of the 1960’s mostly portrays wilderness and the perils of nature as they threaten men. The movies are characterized by isolated ranches, lonely forts, saloons and archetypal conflicts such as the good versus bad conflict, the virtue versus evil or a man versus man, or man versus nature. The protagonist has an opposite, a double who mirrors the evilness of conscience. The protagonists are masculine people who possess principle and who often show exceptional courage at the moment of adversity. The hero might be a Sheriff, a Marshall or could be an independent person who fights immoral things and saves the innocent. They also possess many talents in their one-man fights.
Samurai cinemas are termed as chanbara, and the jidaigeki is a sub genre in this (Gustavsen). Jidaigeki movies are usually characterized by the politics of the time, and the social classes. They came to be representative of action with the featuring of some of the period’s famous stars such as Kataoka Chiezo and with the production company of Toei. Toei jidaigeki were formula based, there was a hero and a villain, the hero always triumphs (Gustavsen).The villain was one who taught independently got confused between the direct segregation of evil and good, on the other hand the hero lacked depth, what was right during the period, was upheld blindly by the hero. In the pre war period and post war period many changes were incorporated. Some were mostly focused on the vendetta narrative. The story of the forty-seven ronins was shot around 1908. A ronin is a samurai knight that does not have a master anymore.