澳洲作业代写-人工制品耶稣受难像的风格和介质

澳洲作业代写-人工制品耶稣受难像的风格和介质，本篇论文范文对17 -18世纪在果阿制作的耶稣受难像(Christo Vivo)的细节进行了综述，这是印度文化和社会环境受到新宗教影响的时期。葡萄牙人通过果阿来到印度，基督教也随之来到印度。许多当地的印第安人改信基督教。这种变化也影响了融合元素，主要是基督教。那个时期的象牙制品非常受欢迎。它们主要被认为是奢侈品。论文中使用的图像显示了那个时期的风格，并解释了媒介的质量。接下来有关澳洲作业代写-人工制品耶稣受难像的风格和介质分享给大家阅读。

“This carved ivory image is an excellent and increasingly scarce reminder of India’s complex, mixed heritage but also of a time when Portugal was a great seafaring and trading nation – a reminder that globalization is hardly a new concept” (Rishel 256).
The crenulated edging of the loin cloth, the veins in the arms and the position of the head of the image are all the points that suggest that image are of Goan origin. The Christian Ivories from Goa have their own qualities and importance. The condition of the artifact is very good particularly with its age and size. The function of the image completely relates with the period of 17th-18th century.

The purpose of this paper is to explore the artifact from the 17th-18th century. The paper reviews the details of the Crucified Christ (Christo Vivo) image, which was made in Goa in the 17th-18th century. This was the period when the culture and social environment of India was getting influenced by the new religion. Portuguese came to India, through Goa and Christianity also came to India with them. Many local Indians changed their religion to Christianity. This change also influenced the syncreatic elements, which were mainly Christian. The Ivory artifacts in that period were very popular. They were mainly considered as the luxury products. The image used in the paper displays the style of that period and explains the qualities of the medium.

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