英文代写:爱德华的画

英文代写:爱德华的画

爱德华在这幅画中有很多的故事和叙述,四个人坐在餐厅里。这幅画描绘了他们忙于思考自己的城市夜生活。从那时起,社会就朝着自我发现和唯物主义的方向发展。《夜鹰》是他以绘画的形式对1940年美国和城市文化的真实写照。他提到他的画是基于格林威治村真实的餐厅。爱德华描述说,外面的街道很黑,但餐馆很明亮。这个想法被爱德华通过他的绘画所接受。他以清晰的视角观察社会,观察到每个人都有一个共同的现象。他利用这种感觉来表达二十世纪初人们的个性。简化的形状和贯穿整幅画的光线赋予了它美丽和独特。1940年,荧光灯出现了,大多数的餐馆在夜间使用这些荧光灯来照亮街道。这些灯光会吸引顾客,并通过玻璃窗显示餐厅内部的情况。爱德华减少了对入口的所有提及,并通过他的画作(Cook, p. 110)向观众清晰地展示了餐厅的真实情况。在这些画作中,描绘的是没有交流的形式,匿名的夜猫子看起来很遥远,他们彼此分离。

英文代写:爱德华的画
他们离得很近,但仍然相距很远。这幅画中的红发女子是爱德华的妻子乔的模特。他的绘画是一种孤立的象征,描绘了生活在夜晚明亮但内心黑暗的人的现状。这幅艺术作品是对整个城市的描绘,因为爱德华提到,城市化有助于改善人们的生活方式,但它减少了人类存在的可能性。爱德华成功地捕捉到了城市的夜景效果,并将其描绘在画布上。餐盘玻璃窗户使光线从人行道和街道远侧的褐砂石中溢出。这在其他任何画作中都没有看到,因为爱德华设计的室内设计是独特而惊人的。在这幅画中,室内的光线来自一个灯泡,它是由多个阴影造成的,是画家为了使作品真实而铸造的。在画的顶部可以看到阴影线,这是由晚餐窗口的上边缘造成的。这些窗户被街灯照亮,街灯投射出他作品中光影的混合(比如,第231页)。

英文代写:爱德华的画

Edward has a lot of storytelling and narrations in this painting in the form of four people sitting inside the restaurant. This painting depicts the night life of the city where they are busy in thinking about themselves. Society from that point has moved towards the direction of self discovery and materialism. Nighthawks is a true depiction over the inside of 1940 America and urban culture in the form of his painting. He mentioned that his painting is based on real restaurant present on the Greenwich Village. Edward depicted that the streets were dark outside but the restaurant was bright. This idea was sold by Edward through his painting. He observed the society from a clear perspective and observed one common phenomenon present among every individual. He used this feeling to express the personalities of people during the beginning of the twentieth century. Simplified shapes and light playing throughout the painting gives it a beauty and uniqueness. During 1940 fluorescent lights came and most of the restaurants used these lights during night for spreading lights though out the streets. These lights would attract the customers and show what is going inside the restaurants through glass windows. Edward reduced all references to the entrance and gave a clear view to the viewer about the real situation of the restaurant through his painting (Cook, p. 110). In the paintings depictions were in the form of un communicated and anonymous night owls were seen to be remote and they were separated from each other.

英文代写:爱德华的画
They were all close but still they were far from each other. Red haired women shown in the painting was modeled by Edwards’s wife Jo. His painting is a symbol of isolation and depiction of current status of man living in the brightness of night but is dark from the inside. This art work was a depiction of whole city because Edward mentioned that urbanization helped in improving the life styles of people but it reduced the possibilities of remaining human. Edward was successful in capturing the night time effects of the city and depicted it on the canvas. Dinner plate glass window caused the light to spill out of the side walk area and brownstones on the far sides of the street. This is not seen in any other paintings because the interior designed by Edward was unique and astonishing. In the painting interior light comes from the single light bulb that was caused by multiple shadows and is casted by the painter for making his work real. Towards the top of painting the line of shadow can be seen that is caused by the upper edge of the dinner window. These windows are lit by the street light that projects the mix of lights and shadows in his work (Say, p. 231).

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