In this context, another important thing is to note the political economy which is behind the process of marketing of the grime. As per the points of Attali, the relationship of the music industry is based on the economic basis. This is because wherever there is instinct of music for the purpose of expression of lifestyle. Thus, it is factor which was also reinforced by the Wilson (2008) with regard to the embrace to the consumption of the ghetto. In the past Grime has been used as the edge in the recent years (Sullivan, 2003). Also, it is the most notable charts in different variants such as the North London and N Dubz. But with the regards to the N-Dubz, there is a number of music which are chart friendly than most grime artists. The band background is rooted along with the urban zones of London. As per the lead vocalist, TulisaContostavlos states that within the autobiography related to the society and the creation of the band.
But with respect to the commercial aspects of the form of the music, the fundamental forms leads to the ethos remains. An example of the same includes the East London based performer Green which is signed to the Mike Skinner. Also, grime can be used for the mapping of the specific places and the spaces. He suggests that the music is something which can be utilized. One of the most popular forms of music which can be produced from the street level is grime. Thus, it is difficult to find another contemporary mode of music which can be used for the purpose of consistency which can be achieved as the medium of expression. It is difficult to cite another mode of music which can be used for the purpose of geographical and social focus related to the urban experiences (Hall, 1978). There are a number of experiences which can be implemented from different sources of music and art.