澳洲拉哇大学论文代写 ：建筑艺术风格
澳洲拉哇大学论文代写 ：建筑艺术风格
2003年，杰出的艺术和建筑史学家开始研究“现代澳大利亚艺术与建筑”，其结果是对二十世纪澳大利亚的创造性表达的明确理解。研究者的做法是修正主义者，因为他们的基本前提是，为了理解现代艺术和现代主义设计如何融入澳大利亚的每一个当代设计，重要的是研究现代主义及其对设计，摄影，艺术，建筑和广告。
拒绝所有的传统理解，他们强调三个主题 – 国际主义，抽象和跨学科的实践。
英国是中世纪时期新英格兰风格（1840-1930）复兴的中心，由英国人SC Brittingham设计。墨尔本大学的旧艺术大楼代表了新哥特式风格，在中世纪时代的窗户周围有着精美的装饰。
装饰艺术风格（1930-1940）最初起源于法国，此后前往美国和澳大利亚。澳大利亚最着名的装饰艺术建筑师是哈里·诺里斯（Harry Norris），他定期到国外去研究和观察这个不断变化的趋势，并将他的故事引入到他的家乡。装饰艺术分两个阶段演变，第一个是几何角度和第二个角度阶段。
现代主义风格（19803-1940）的主要特征是功能性，简约性和几何性。这些结构包括用于最大支撑的大胆的水平伸缩和用于最大光线的长窗，提供特定需求而不是模仿自然。奥克利和帕克斯，澳大利亚新兴的现代主义风格的建筑师创造了一个前所未有的功能，间距和技术的结构。
澳洲拉哇大学论文代写 ：建筑艺术风格
In 2003, eminent group of art and architectural historians began a research on “Modern Australian art and architecture” and the result was an explicit understanding of the creative expression of the twentieth century Australia. The approach of the researchers were revisionist as their basic premise was that in order to understand modern art and how modernist designs fused into every contemporary design in Australia, it is important to study modernism and its impact across a range of media such as design, photography, art, architecture and advertising.
Rejecting all traditional understandings, they emphasize on three themes- internationalism, abstraction and inter disciplinary practice.
England was at the centre of the revival of the neo gothic style (1840-1930) from the medieval times, designed by SC Brittingham. The old arts building of Melbourne University represents a neo gothic style with detailed decoration around the windows of the medieval era.
Art Deco style (1930-1940) first originated in France and travelled to America and Australia thereafter. The most prominent art deco architect in Australia was Harry Norris who took regular trips abroad to study and observe the evolving trend and introduce the same in his homeland. Art deco evolved in two phases, the first being the geometrical and the second the angular phase.
The main feature of Modernist Style (19803-1940) is being functional, minimalistic and geometric. These structures consist of bold horizontal spandrels for maximum support and long windows for maximum light, providing for specific needs rather than imitate nature. Oakley and Parkes, emerging modernist style architects in Australia created a structure never seen before in terms of functionality, spacing and technique.
