澳洲代寫:教堂建築藝術

澳洲代寫:教堂建築藝術
關於勒柯布西耶在朗尚的小教堂的評論工作開始於,詹姆斯斯特林對那個時代所使用的現代主義形式的討論。建築師說,現代運動把藝術和技術分開了。美國當時建造的功能主義建築更多的是適應工業過程,而在歐洲,早期的人文主義方法似乎仍然存在。在採用現代主義和功能主義的過程中,勒柯布西耶教堂是一個來自歐洲的例子,從斯特林把教堂稱為塑料建築的方式可以看出,“勒柯布西耶的教堂可能是有史以來以現代建築的名義建造的最塑料的建築”。根據詹姆斯·斯特林的說法,這一章所處的環境讓觀者能夠看到令人想起英格蘭和威爾士的林地。這個地方位於一個只能通過塵土路和土路進入的區域。從山頂上就可以到達。斯特林說,這個地方看起來幾乎是空靈的。當一個人爬上山時,教堂突然進入他們的視野,這增加了神秘的性質。

澳洲代寫:教堂建築藝術
這就像一個人突然遇到了一個非自然的建築,類似於巨石陣和dolmens。斯特林的論點和修辭風格幾乎是直截了當的。這是一種風格,可以從他的寫作從其他主要來源觀察到。描述和討論計劃所用的文字,甚至文件上的計劃顯示的方式,幾乎就像斯特林在他的溝通中是唐突的。在許多方面,這篇建築評論似乎也展示了類似的元素,斯特林呈現出的一些突兀之處,可能會讓人驚訝於這個空靈的小教堂的元素。這就好像沒有其他的解釋或詞彙適合描述教堂。柯布西耶的作品被其他作家描述為融合了女性氣質的元素。這種風格也體現在教堂的情況下,貼面和牆體材料的使用方式。在這篇評論中,斯特靈寫道,小教堂被粉刷得到處都是,牆壁上有一層膠合板,讓它看起來像紙糊的。

澳洲代寫:教堂建築藝術

The review work on the Le Corbusier’s chapel at Ronchamp starts off with, James Stirling’s discussion on the modernist forms that were being made use of in those times. The architect states that the modern movement had divided art and technology. USA was building functionalist architecture that was more of adapted industrial processes and in the case of Europe an early humanist method seems to be present still. In the adoption of modernism and functionalist, the chapel of Le Corbusier is an example from Europe and this is seen in the way Stirling calls the chapel a plastic building, “chapel by Le Corbusier may possibly be the most plastic building ever erected in the name of modern architecture”.According to James Stirling, the chapter is situated in a landscape where the viewer would be able to see woodlands reminiscent of England and Wales. The place is situated in an area that could be accessed only by dust roads and dirt tracks. It is approachable from the crown of a hill. Stirling states that the place looks almost ethereal. When one climbs the hill the chapel suddenly comes into their vision and this adds to the mystic quality.

澳洲代寫:教堂建築藝術
It is like a sudden encounter that someone has with unnatural architecture akin to the Stonehenge and the dolmens. Stirling’s arguments and rhetoric style is almost blunt and to the point. This is a style that can be observed in his writing from other primary sources. The words used in portraying and discussing the plan and even the way the planning on the documents are shown, it is almost as if Stirling is being abrupt in his communication. In many ways this architectural review also appears to show similar elements, some of abruptness in the way Stirling presents that the ethereal chapel might surprise someone with its elements. It is as if no other interpretation or word would be appropriate for describing the chapel.Le Corbusier’s works has been described by other authors as incorporating elements of femininity. This style is also seen in the case of the Chapel, in the way the veneer and the walling materials are used. In the case of this review, Stirling writes that the Chapel has been whitewashed all over and has a veneer form to its walls that makes it look like papier-mache.

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