澳洲出勤率不够：设计首饰的艺术
澳洲出勤率不够：设计首饰的艺术
设计首饰的艺术可以追溯到几千年前，那时来自古代文明的人们制作首饰作为个人装饰品。但在当今时代，首饰设计是指设计和制造首饰的职业。在设计或制作首饰之前，有一个很长的技术图纸过程。但在这个项目中，我想从童年记忆的角度来理解珠宝设计的概念。这些回忆是我成长过程中与祖父母一起度过的珍贵时光。为了描述我的童年，我一直在帮助我的故事，这些故事占据了我的童年，以堆积的戒指的形式。因此，本报告的目的是了解作者的哲学，它是在童年记忆的帮助下，与祖父母一起度过的。台湾珠宝首饰的发现对这篇文章来说至关重要，它将解释这一系列的可穿戴珠宝，它是富有同情心和美感的。台湾也被称为台湾，这份报告强调了台湾文化的友好、好客和慷慨。
澳洲出勤率不够：设计首饰的艺术
然而，当谈到国家的文化时，它会导致其历史和政治立场的模糊性。作为一名台湾文化和历史背景的鉴赏家，我选择以珠宝的形式呈现这个国家，这有助于突出台湾的元素，以突出它在“台湾制造”(MIT)标题中的自豪感。因此，我决定讨论这个话题，因为在这个话题上并没有做太多的研究和分析。在这次调查中，我发现没有什么能够反映我的思想，因为它们非常深刻，但是我的思想是用“黄金”来翻译的。我受到曼弗雷德·比肖夫和布鲁诺·马蒂纳齐的作品的启发，他们在艺术和创意设计的帮助下，在珠宝设计领域做出了令人难以置信的贡献。他们都通过自己的研究和理论来帮助理解对他们观点的不同解释，并帮助理解这份报告的主观性(Guile, 2010)。
澳洲出勤率不够：设计首饰的艺术
The art of designing jewellery dates back to thousands of years when the people from ancient civilizations crafted jewellery for personal adornment. But in today’s times, jewellery designing means the profession of designing and creating jewellery. Before the article or piece of jewellery is to be designed or created, there is a lengthy procedure of technical drawings which take place. But in this project, I intend to include my understanding of the concept of jewellery design from the viewpoint of the childhood memories. These memories are the precious moments spent with my grandparents in my growing years. In order to depict my childhood, I have been assisted with the stories which occupied my childhood in the form of stacking rings. Therefore, this report has the aim to understand the philosophy of the author which has been derived with the assistance of the childhood memories spent with one’s grandparents. The discovery of the Taiwanese jewellery experience is critical to this essay which would explain the series of the wearable jewellery which is sympathetic and aesthetic. Taiwan which is also known as Formosa is included in this report to highlight the friendliness, hospitality and generosity of its culture.
澳洲出勤率不够：设计首饰的艺术
However, when talking about the culture of the nation, it leads to ambiguity pertaining to its history and political stance. As a connoisseur of the Taiwanese culture and historical background, I chose to present the nation in the form of jewellery which aids in projecting the Taiwanese element to impress upon the pride it takes in the caption “Made in Taiwan” (MIT). Therefore, I resolved to discussing this topic as not much research and analysis has been done on the same. In this investigation, I discovered that nothing was able to reflect my ideas, as they were very profound but my thinking was translated using “gold”. I was inspired by the works of Manfred Bischoff and Bruno Martinazzi who individually and incredibly contributed in the field of jewellery designs with the help of their artistic and creative designs. They both aided in understanding different interpretations of their ideas and helped in understanding the subjective nature of this report through their studies and theories (Guile, 2010).
