案例研究代写：媒体是没有界限的

案例研究代写：媒体是没有界限的

媒体是没有界限的，能够渗透到最难以捉摸的地区和国家，帮助品牌和公司扩大他们的覆盖面和知名度，这在几年前是不可能的。Debord所说的景观是一种以社会生活为基础，将现实生活的非现实性作为获取利润的武器，使消费者和整个社会着迷的大众运动。景观是组织目标的最终目的，当它被用作宣传工具，以促进一种自私动机时，它就会为组织的目的服务，这种自私动机往往体现在景观本身，即生活的社会结构中。奇观更像是消费者日常生活中真实活动的产物，但经过刻意的操纵，它被用来将活动与现实生活分离开来，使之成为一种有价值的商品。

案例研究代写：媒体是没有界限的
这种商品只不过是消费者在日常生活中无意识地进行的日常体验，表明自然外观行为的结果被装饰成一种奇观，并以一定的价值出售，以提高组织目标。正如Debord所描述的景观是不可触及的，也是无可争议的，正如(Debord 1994)所表达的，“一切出现的都是好的;善有善报。景观的消极性的缺失，使它成为所有人的既定目标，并没有发现任何阻力和挑衅，以识别推广景观的目的中隐藏的缺陷。媒体是社会各种现象起源的先行者和自私的支持者。它扩大了商品的感觉或经验或纯粹的世俗活动的消费者到一个更大的生活事件，这是与消费者固有的联系，它邀请零阻力，以其自然接受。

案例研究代写：媒体是没有界限的

Media is without bounds and is able to penetrate the most elusive regions and nations and helps brands and companies to expand their reach and awareness which was never possible some years back. The spectacle as spoken by Debord is the mass movement which uses social life as its foundation and makes the unreality of the real life its weapon for making profits and mesmerising the consumers and society as a whole. The spectacle is the very end of the organisation’s goal and it serves their purpose when it is used as a propaganda for furthering a selfish motive such that the spectacle often embodies in itself the very social fabric of life. The spectacle is rather the outcome of the real activity which consumers live every day, but with deliberate manipulation, it is used to separate the activity from the real life and make it into a commodity which is sold for a value.

案例研究代写：媒体是没有界限的
This commodity is nothing but the everyday experience of consumers who conduct it unconsciously in their daily lives, thus indicating that the outcome of natural looking conducts is ornamented into a spectacle and sold for a value to enhance organisational objectives. The spectacle as described by Debord is out of reach and out of dispute and is expressed as (Debord 1994), ‘Everything that appears is good; whatever is good will appear’. The lack of negativity in the spectacle makes it a given for all and does not find any resistance and provoking for identifying the hidden flaw in the purpose of the spectacle that is promoted. Media is the harbinger of the origin and selfish supporter of various spectacles in society. It enlarges the commodity of the feeling or experience or a sheer mundane activity of consumers into a larger than life event and this being inherently related with consumers it invites zero resistance for its natural acceptance.